In Suite Venitienne (1979), Calle followed a man she met at a party in Paris to Venice, where she disguised herself and followed him around the city, photographing him. Calle’s surveillance of the man, who she identifies only as Henri B, includes black and white photographs accompanied by text.
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Portrait of Sophie calle |
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Sophie Calle's following strangers project I find Sophie Calle's work intruiging and in a sense quite creepy in the way she follows people without them realising and captures their every move. |
good start -try to include your personal opinions too
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